Miloslav KABELÁČ
COMPLETE CRITICAL EDITION

SERIES IV, VOLUME 10
8 INVENZIONI Op. 45
per strumenti a percussione (per 6 esecutori)

SERIES IV, VOLUME 11
8 RICERCARI Op. 51
per strumenti a percussione (1–6 esecutori)

Editor ZDENĚK NOUZA

The Editio Bärenreiter Praha publishing house has been putting together its Complete Critical Edition of Works by Miloslav Kabeláč (1. 8. 1908 – 17. 9. 1979) since 1999. To mark the 100^th anniversary of the composer’s birth, two titles have been published, now established repertoire works both in the Czech Republic and chiefly abroad, which will complete the 4^th series of the critical edition – Eight Inventions for Percussion Instruments and Otto ricercari for percussion instruments.

Kabeláč had a lifelong and profound interest in percussion instruments. “These are instruments,” he would say, “which are played, not just struck or beaten. They may be entrusted with music.”

The cycle EIGHT INVENTIONS, one of Kabeláč’s most famous works, was written in 1962 for the French ensemble Les Percussions de Strasbourg. The inventions were sometimes combined with a ballet performance, which was the case for the Strasbourg premiere. However, Kabeláč clearly favoured a purely instrumental, concert performance of the work, which was subsequently undertaken by numerous ensembles, presently including the Prague Percussion Ensemble and another Czech ensemble, Dama-Dama.

The piece was written for six players and a large group of percussion instruments – the instruments required vary from one movement to the next. Here, Kabeláč uses new proportional notation in a form which is essentially his own invention. The eight parts treat different intellectual, formal, sound and rhythmic-metric issues; the cycle as a whole reflects musical inspiration from outside Europe.

For the sake of clarity, the inventions are always performed from the score. Its new critical edition, with detailed commentary from the editor, corresponds to the autograph with the exception of isolated minor deviations which the composer wrote into the score for the Panton edition (1966, 2^nd edition, 1971) after the work’s premiere.

H 7993, ISMN 979-0-2601-0441-9, 92 pages, EUR 29.95 BUY

After the phenomenal success of the cycle Eight Inventions for percussion instruments Op. 45, Kabeláč embarked upon another cycle at the request of the ensemble Les Percussions de Strasbourg – EIGHT RICERCARI (written in the years 1966–1967, with minor revisions from 1971). In this case, Kabeláč did not merely aim for a continuation of the previous cycle – he wanted to create a work of a different character, a new and distinctive composition; nor would he allow himself any repetition (in fact, each of Kabeláč’s symphonies is written for a different set of instruments). In Ricercari Kabeláč chiefly makes use of the specific qualities that percussion instruments offer the composer. Ricercari was written for one to six players and again employs Kabeláč’s new proportional notation.

The autograph of the work is kept at the Czech Museum of Music in Prague. A copy of the piece was made privately during the composer’s lifetime which was itself duplicated to provide scores for all the ensembles who included this work in their repertoire. The current edition of the score, in practice also used for performance purposes, is therefore the first ever printed edition and corresponds both to the autograph and the meticulous copy made at the time and corrected by the composer.

H 7994, ISMN 979-0-2601-0442-6, 52 pages, EUR 39.95 BUY